Who is Lyndsay Adler? Lyndsay Adler is an American fashion photographer who also teaches other people about photography. Lyndsay also describes herself as a visual problem solver. Her work has appeared in numerous magazine articles including Marie Claire, InStyle, Elle and Rangefinder. She is often inspired by movies and museums. But she is also inspired by people around her whether they are creative artists or other photographers |
“When I started to create a name for myself and a style, I started to shoot where there was mood, emotion, hair & make up, and wardrobe. And people started to ask me for that type of look.”
– Lindsay Adler
"With no particular personal twist on it, you are less likely to be remembered"
- Lyndsay Adler
"Your style does not have to stay the same: it can evolve"
-Lyndsay Adler
In her images, Lyndsay Adler wants the women she photographs to look strong, powerful and confident. She also wants to create a story within her images by using certain make-up like in this image she used dark make-up.
To get the final image, Lyndsay Adler sprayed water onto mirrored plexiglass to make it look like it was raining. She also positioned the model, the lighting and herself to create the image she wanted. For this image she also wanted her model to interact with the mirror by looking at her reflection with neon lighting in the background and to also put her in different angles and poses. |
This image is of Lyndsay Adler adjusting some of the lighting that she used to create her photograph. In this image she was moving her blue/cyan barn doors so that the colour hits her model the way that she wants for her image. She does this so she can get the perfect look for her image and so that it looks the way she wants it to.
In this part of her video Lyndsay Adler in getting her model to pose in a certain way so that she can create a story with her models body language and facial expression. She is also doing this so that she can get her image to look the way she wants it to. Lyndsay also does this so her image can look exactly how she wants it to and so it looks as good as it possibly could. In this part of the video Lyndsay Adler is adjusting and positioning where her camera is so she can get the shot she desires. For this particular image that is close to the model but slightly underneath her face so that it looks like the viewer is looking up to the model. Here is a shoot diagram of the different lighting and things she uses like mirrored plexiglass and her camera which she uses to take her images with. It also shows the people who watch her videos what she uses so that they can recreate her images. She is different to other photographers because she shows people what she uses and how she takes her pictures. |
Lyndsay Adler wants her models faces, lips and eyes in her photographs with their hands on their faces or just an object in front of their faces like plastic props.
For the colours she uses she wants to have a large emphasis between the colours she uses but she also wants them to harmonise with different tones. She wants the lighting behind her model to be dark/black and colourful lights in front so that the colour covers her face. She does this with pieces of coloured sheets of plastic to create the colours. |
In this image Lyndsay Adler is putting makeup on her model so that the models facial features appear how she wants them to with the different lighting whether it is so that they harmonise or contrast with the lighting that is being lit onto the models face.
This is so that her images turn out the way she wants them to so she can achieve her desired outcome for this shoot. In this image Lyndsay Adler is showing her model how to pose with an object so that her image is taken the way that she wants it and so that her model is posing the way that she wants in her image. She also does this so that her model looks the best that she can and so that the colours in the object either contrast or harmonise with the lights she is using for the shoot. Here Lyndsay Adler is showing her model how to pose with the coloured plastic in front of her to lighten her image with more colours. This also allows the orange coloured plastic that will be in front of the models face to change the focal point or to harmonise or contrast with the other colours in the shoot. In this last image Lyndsay Adler is showing her model how she wants her hands to be posed in the images to convey the story she wants to tell within her image. She also does this so her image ends up the way that she want it to be. |
In my opinion this image and shoot turned out successful because of the colours and shadows that are in the image and the effect that they create. I like this image in particular because of how the colours blend and harmonise together but also how they both stand out in their own unique way. To improve this image and shoot I would place the coloured lighting in different areas so there are no shadows in my models face/eyes. I would also try and make the colours brighter and change where my model is positioned so she is either in the middle or on the left of the image. |
'I work with sewing, embroidery, and drawing to explore the essence of signs in their physical manifestation. I take inspiration from my own personal experience and observation of how, in other cultures, bodies themselves are treated as living graphic symbols' - Maurizio Anzeri
Who is Lisa Kokin?
Lisa Kokin is an artist, art instructor and art coach. Lisa lives and works in El Sobrante, California, outside of San Francisco and was born in 1954 making her 69 years old. She received her BFA and MFA from the California College of the Arts in Oakland, CA and uses recycled and reclaimed materials to create mixed media textile art. She uses collage, Image Transfer and Sewing Techniques as well as this Lisa Kokin uses the page spreads of old books as the ground for collages which are humorous and filled with social commentary. |
'I like money in its shredded state because it is stripped of value and power. Worthless, it becomes just so much green and white confetti. - Lisa Kokin
Who is John Coplans?
John Coplans was born in 24th June 1920 in London and died on 21st August 2003, in Manhattan, New York. He was a British artist, art writer, curator, and museum director. A veteran of World War II and a photographer, he emigrated to the United States in 1960 and had many exhibitions in Europe and North America. Who/ what inspired John Coplans? John Coplans work was highly inspired by his Father, who took him to galleries on weekends and instilled within him a love for exploration, experimentation, and a fascination with the world. |
"The principal thing is the question of how our culture views age: that old is ugly. Take a photographer like Mapplethorpe. Every single photograph of his is about classical notions of beauty, of young beautiful black men, young beautiful women, and he selects subjects who are essentially interesting and good looking and extremely physical. I cant stand them." - John Coplans
Who is Lauri Laukkanen? Lauri Laukkanen is a director and writer who also does photography. He is thirty one years old and was born in 1992 on the 21st May. Lauri says that he is a photographer and a director who is mainly focused on advertising and artistic work, he also says that he is passionate about images, lighting and ideas and emotion. |
"I'm a photographer and a director mainly focused on advertising and artistic work. I'm passionate about images. About light. About ideas and emotions." - Lauri Laukkanen
Who is Marc Lamey? Marc Lamey is an award winning, photographer whose work focuses on portraiture and fashion. Marc's work has been featured in international publications and media. marc Lamey is a member of Creative Cloud. What is Marc Lamey inspired by? With a strong Inspiration coming from Music, Marc focus mainly on Portraiture Photography, Fashion and on implementing beauty into cityscape; Marc loves portraits; Staging the beauty of a woman's face and bright colors |
"In my opinion most important is creativity, having your own style and not copying. Be able to read the light however it is outside or in studio. Experiment a lot and know perfectly the technique which you are working." - Marc Lamey
Who is Jessica Tremp?
Jessica Tremp grew up in Switzerland and moved to Melbourne at the age of 18. When she was little she used to dream about being a dancer or that she could fly or learn how to speak the language of the animals in the forest. With her passion for photography and art she found a way to make these things come true. "Intimate, with a slight tension between stillness and something wild under the surface. I probably use myself as a subject the most because I’m always available and I can convey what I want to without having to explain myself to anyone. Often if I have to find words for it or plan it, it doesn’t work out as well or lacks a certain warmth." - Jessica Tremp |
Who is Annie Lebiovitz? Annie Leibovitz is a celebrated American photographer best known for her engaging and dramatic celebrity portraits. Her style is characterized by carefully staged settings, superb lighting, and use of vivid colour. The photography of Annie Leibovitz could be seen as a metaphor for Visual Culture. All her photography comments on her time and its people. The artist's photographs are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, and the Los Angeles County Museum of Art, among others. Leibovitz currently lives and works in New York, NY. |
"A thing that you see in my pictures is that I was not afraid to fall in love with these people" - Annie Lebiovitz
Who is Julia Margaret Cameron? Julia Margaret Cameron was a British photographer who is considered one of the most important portraitists of the 19th century. She is known for her soft-focus close-ups of famous Victorian men and women, for illustrative images depicting characters from mythology, Christianity, and literature, and for sensitive portraits of men, women and children. After showing a keen interest in photography for many years, Cameron took up the practice at the relatively late age of 48, after her daughter gave her a camera as a present. She quickly produced a large body of work capturing the genius, beauty, and innocence of the men, women, and children who visited her studio at Freshwater. |
"Growth is a spiral process, doubling back on itself, reassessing and regrouping. When we are angry or depressed in our creativity, we have misplaced our power. We have allowed someone else to determine our worth, and then we are angry at being undervalued. The capacity for delight is the gift of paying attention." - Julia Margaret Cameron